Dostoevsky’s influence on Bryusov

The aim of the paper is to beguile the line of Dostoevskys influence on the creative utilisation of Valeriy Bryusov with his prose report card The republic of the grey mug origin every(prenominal)y published in 1907. It is stated, that the main influence, through which The land of the Southern Cross may be seen from the viewpoint of Dostoevskys creative get to is the influence of his Raskolnikov on the way Bryusovs level has been written. Similar analogies kindle be traced through the comparison of the Dostoevskys works and statement that The land of the Southern Cross is antiutopia.(Jackson, 1958) However, to clearly see these similarities it is necessary to analyze the whollyegory closer. The Republic of the Southern Cross remains to be the around customary prose work of Bryusov. He has been able to write realistic fantastic story, which has immediately called critics for te comparisons with the Dostoevskys works. The dead end of the quite a littles lives which Br yusov was able to depict is easily seen in Dostoevskys execration and punishment. It must be said that this democratic exterior concealed the unyieldingly autocratic tyrannyof the sh areholders and directors of a former Trust. Giving up to others the places of deputies in the domiciliate they inevitably brought in their own candidates as directors of the factories. In the hands of the plug-in of Directors was concentrated the economic life of the coun give. The directors received all the orders and assigned them to the miscellaneous factories for fulfilment they purchased the materials and the machines for the work they managed the whole business of the factories. Through their hands passed huge sums of money, to be reckoned in milliards. (Bryusov, 1907)The influence of Dostoevsky was seen through the fact that antiutopic scenes in Bryusov are based on the Raskolnikovs dream in disgust and penalisation. (Jackson 1958) However, it is also possible that when writing his Repub lic Bryusov was also using the whizz themes of the Apocalypses. The initial situation of the subject who has sinned is very similar to that of Raskolnikov, his loneliness and regret which he does not really realize himself. From the citation above, it is easy to derive why mint started to suffer from the Disease of Contradiction.The endlessness of the silly behaviors of people in the republic has led to the terrible catastrophe, and only several men try to resist to this chaos. A train conductor on the metropolitan railway, kind of of receiving money from the passengers, himself pays them. A policeman, whose duty it was to regulate the traffic, confuses it all day long. A visitor to a gallery, walking from room to room, turns all the pictures with their faces to the wall. A publisher page of proof, being corrected by the hand of a proofreader already overtaken by the disease, is printed next morning full of the most mirthful absurdities.At a concert, a sick violinist suddenl y interrupts the harmonious efforts of the orchestra with the most dreadful dissonances. A whole long series of such happenings gave cumulus of scope for the wits of local journalists. (Bryusov, 1907) Isnt it similar to the way Raskolnikov was seen to act after he has committed the crime? The fall of morality in the society is also in the line with moral fall of Rasolnikov. (Jackson, 1973) Bryusov makes redundant stress on the way morality disappears and people become animals.Morality was seen as the thin surface which has been easily breached despite the fact that it had been held with people through millennia. However, the story is as if the bowl over reflection of Dostoevskys Crime and penalisation if he has been able to lay down the fall of morality in Raskolnikov at the beginning of his book, making it the center of his revival, spiritual and moral tortures, as nearly as his understanding of the seriousness of his crime, the story written by Bryusov makes the reverse ac tion and the moral fall is shown at the end of the story, with the life of the Republic making it possible step by step.These are the characteristic features of antiutopia. It means, that the story shows the consequences of utopia, works with complex affable models and suggests possible development of the certain social events. Dostoevsky didnt do this in his story he has not suggested any(prenominal) other versions of Raskolnikovs crime. The lines of Dostoevskys Notes from the clandestine are even more clearly seen through reading Bryusovs The Republic.Dostoevskys Notes have been written as the means for Dostoevsky to show that he had been against any strict freethinking in the human life, and it was probably his biggest idolize that once human lives would be ruled by rationality, about which we have read in The Republic. The symbols of this fear included by Dostoevsky into his work are mathematical tables and piano key. For example, if the parity is made between the anthill and the ants, according to Dostoevsky, the individuality is lost when all ants work towards one and the same objective, especially when the work is exchangeable, as everything has been standardized in The Republic.(Brians, 1995) Mathematical tables appeared to be the way to investigate the feelings of people in the notes, and it is understandable that the fears and other emotional states of people cannot be mapped out, and the response of this mapping out was described by Bryusov. Dostoevsky as a generator was against discussing and explaining the behavior of people in scientific terms and means. This behavior he has been explaining through other deeper meanings, which are also found in Crime and Punishment.(Jackson, 1973) The greatest example of science and modernity that Dostoevsky presents to the reader is the crystallizing Palace. The Crystal Palace was a structure built in 1851 in London. It was the initiative modern building. It was made entirely out of glass and iron. T his palace was vatic to be as good as it gets. It was utopianism brought out into real life. To Dostoevsky it stand for reason, science and logic. (Brians, 1995) The parallel with Bryusovs Republic is so smart that cannot be deniedBecause of the severity of the climate, an impenetrable and opaque roof had been built over the town, with powerful ventilators for a constant change of air. These localities of the globe have but one day in six months, and one long dark also of six months, but the streets of Zvezdny were always lighted by a bright and even light. In the same way in all seasons of the year the temperature of the streets was kept at one and the same height. (Bryusov, 1907)In Dostoevskys prose people are seen to be submitted to an organized living through the strict standards which are uniform for everyone without an exception as far as people were working in one environment towards the same goal, individualism was absent, as well as it was absent in the Republic. Conclu sion The influence of Dostoevsky on the creative work of Bryusov is clear, and the Republic of Southern Cross is the brightest example to see this influence. It has been analyzed through the two essential Dostoevskys works Crime and Punishment and Notes from Underground.The reason for choosing these two stories lies in the fact, that first of all, The Notes and The Republic are often criticized for being similar in their literary implications and backgrounds, and the work has proved that the principal motives are similar in both as for Crime and Punishment, I guess it was a good example to show the moral fall of people, and how fast it can be to turn people into beasts, and though the development of the events and moral fall are opposite in both works, it has been interesting to trace analogies in them.Works cited Brians, Paul. Study Guide Notes from the Underground. chapiter State University, 1995 Bryusov. V. The Republic of the Southern Cross. 1907. Available at http//gaslight. mtroyal. ab. ca/repsouth. htm (accessed 03 manifest 2007) Jackson, R. L. Twentieth Century Interpretations of Crime and Punishment. Prentice Hall Trade, 1973 Jackson, R. L. Dostoevskys Underground Man in Russian Literature. Mouton, Hague, 1958.