The Dawn Of Understanding: Three Years Later :: essays research papers

Through show up my life, the identical scene in the television screen registered in different ways. The camera zooms in for the snuff it shot of a l ane hyaena wheezing his way out of life. He may be dying of heat exhaustion or thirst or hunger, barely his sm alone eyes roll human face to side slowly and then....just.....stop. Equally significant and striking is the close-up of the very red-faced death of a baby seal as a hyena simultaneously shakes him into submission and breaks his spine. The camera is constantly held steady no one is shocked or upset yet the sense that something important has happened is always instilled in me.When I was younger I would cry during the sad signification in movies when someone died. The person or animal had a comprise and an identity which gave them a level of humankind. My fascination for animals existed even then and I often followed with my eyes and imagination the lives of the documented animal. I turned away(predicate) from the brash ness of the lion tearing into the zebra because I turned away from all violence but I was too disgusted to feel any(prenominal) real compassion. Perhaps reality was harder to absorb than fiction. Perhaps these scenes werent real to me because what I had seen of death in my own experience always involved grief and the cameramen felt none, the sun felt none and the narrator felt none. subsequent in my life I realized the zebra or coyote or prairie dog that was being forced to succumb to dehydration or famishment was real. I dont think that I had ever, consciously seen anything die before watched the same close-up many times before but never really seen anything die. Insects peradventure never a person, never a baby lemur, never a cat, never anything except within the confines of fiction. What my mind had seen as I sat there was the product of lighting and actors and a voice but unlike real fiction, this did not seem real. As I know lived in a city for most of my life and never truly experienced what wildlife was like, this was it the cameras lent my alienated consciousness a sense of the reality experienced by the other inhabitants of this earth the four legged (and sometimes two-legged) ones. I was being carried on the shoulders of Richard Nassau and Michael Drencher as they journeyed to the desserts of Africa and mountains of Peru.