Ambiguity, Inconsistency and Uncertainty in Othello Essay -- Othello e

Ambiguity, Inconsistency and Uncertainty in Othello The Bard of Avon has in his tragedy Othello a true masterpiece, but not one without flaws. It contains blemishes, imperfections, and minor negative features which reduce in lesser ways from the overall evaluation of the play. H. S. Wilson in his admit of literary criticism, On the stick out of Shakespearean Tragedy, addresses the arbitrariness and inconsistency in the play Though the action moves in a single line, with none of the intricate interweaving of parallels displayed in Hamlet, the emotional pattern has, as it were, two poles of submerging mounting horror at the insatiable malice of Iago, pity for the torture helplessness of his victims. These effects are securely attained at the spending of a good deal of arbitrariness in the manipulation of the plot and even inconsistency of character . . . . (54) allows consider most of the co-occurrences or accidents in Othello which cause us to question its motivation and un ity. For example, when in Scene 2 Cassios contingent arrives from the duke just moments before the toughie mob led by Brabantio and Roderigo. Indeed there is more meshing and more interested generated by this coincidence but is it realistic? Or seemingly arbitrary on the part of the playwright? Another coincidence that is more vital to the drama is the dropping of the decorated handkerchief at just the right moment in the plot for it to be of the essence(p) to the plot DESDEMONA. Let me but bind it hard, within this hour It ordain be well. OTHELLO. Your napkin is too little He pushes the handkerchief from him, and it falls unnoticed Let it alone. Come, Ill go in with you. (3.3) For the most key piece of recite to b... ...ast to illuminate some of the parts and at most to contribute to the sagaciousness of the sum of the parts. If Othello is not the most complex of the tragedies, the problem of its over-all form is cool it a large one, and he who aspires to a full account o f the productive relationship of all the parts must be content if he seems generally to be moving in the right direction. (329) WORKS CITED Heilman, Robert B. carte and Witchcraft an Approach to Othello. Shakespeare Modern Essays in Criticism. Ed. Leonard F. Dean. Rev. Ed. Rpt. from The Sewanee Review, LXIV, 1 (Winter 1956), 1-4, 8-10 and Arizona every quarter (Spring 1956), pp.5-16. Mack, Maynard. Everybodys Shakespeare Reflections Chiefly on the Tragedies. Lincoln, NB University of Nebraska Press, 1993. Wilson, H. S. On the Design of Shakespearean Tragedy. Canada University of Toronto Press, 1957.