'Country and Rap Music Essay\r'

'The ec centric persons of unison that passel listen to argon very diverse. hoidenish and hit euphony atomic number 18 just two of these types of symphony and the composition of interview that listen to these types largely vary. The primary reason is that rural medicament is comm completely identified with white pot who put up in the dry landside tour criticize music is commonly associated with black pot living in urban cities. For the most lead off, beg music is comparatively a saucy type of music as comp ard to untaught music which, as a result, polish offs it to a greater extent appealing to the younger generation.\r\nThe aged generation, on the separate hand, argon more inclined to listen to the type of music that grew up with, especially pastoral music. champion of the unique features of rap music is the way in which the lyrics are vocalized. The sound of rap music normally rents the rhythmic speaking of rhyming lyrics dubbed with the so-called â€Å" defeat”. The beats are ordinarily created separately done the use of percussions and other(a) synthesizers. On the other hand, ground music usually involves decided guitar picking patterns with a slightly â€Å"blues” feel.\r\nMore often than not, ground songs involve the use of acoustic guitars although at that place are instances when the electric guitars are likewise used in certain parts of the song. The way in which the lyrics are sung is melodic, aptly cohering with the chord pattern of the song. approximately rustic songs are easy to listen to since earth music is less of the obstreperous type, so to speak. These songs usually tell the story of the field life where the old age are reminiscent of the outdoor life fill up to nature.\r\nThere are as well as times when country songs express the love affairs of individuals. But remote other forms of music, country music is â€Å"a more gentle approach to putting emotions” into music, in a manne r of speaking (Lewis, p. 44). pat music, on the other hand, usually expresses the experiences of an individual in the suburban or urban areas. Most of rap songs commonly involve the narration of how a young black Ameri suffer has to survive and rise to meet the challenges of surviving in a cruel society.\r\nThese songs alike guard fix stereotyped as the music of young people with a rebellious attitude who are part of violent gangsters in local neighborhoods. Thus, it is not unenviable to identify rap music as an aggressive type of music. Because of the wide generation gap among the time when either one of the two obtain much prominence, there is likewise a great deal of difference between rap and country music in terms of its audience or followers.\r\nRap music, being a relatively new type of music emerging and gaining prominence only in the later part of the 80sâ€with the exception of the opening that the origins of rap being traced as far backbone as the time when Afri can-American slaves were chanting rhymes while doing workâ€the composition of its audience can alike be said as younger (Sullivan, p. 613). On the other hand, country music has been around considerable before the birth of rap music. That being said, a large part of the those who listen to country music belong to the older generation although, of course, it can in any case be said that there are also young people who listen to country music.\r\n non surpri bletherly, a portion of those who listen to country music whitethorn likewise be composed of those who live in the countryside since they can substantially relate to the messages back end each country song. The same can also be said about rap music; those who live in more urban areas know the tendency to lend their ears to rap songs as they can easily relate to the message of most rap songs. For example, the rap songs of the artist â€Å"50 cent” may appeal more to younger people who stop in cities and other urban areas whereas the country songs of insurrectionist property may appeal more to older people who live in the countryside.\r\nHowever, these comparisons do not necessarily mean that there are no countryside people who listen to the rap songs of 50 cent or that there are no urban people who listen to the country songs of Johnny Cash. The billet is that it is more likely for urban people to easily associate themselves with the songs of rap artists whereas it is more likely for countryside people to easily relate themselves to the songs of country artists. Rapping can also be done without the accompaniment of any musical theater instrument.\r\nIt can plane be done in simple impromptu gatherings in common places much(prenominal) as in local streets in the neighborhood. As for country music singing, it is difficult to say if a song is sung in a country music style without the accompaniment of musical instruments such as guitars. At the least, a singer would have to need a guitar in o rder to sing a country song or to make the song sound â€Å"country” in a recognizable way. In more recent times, rap music has been gaining a steady stream of hobby from the public with the increasing prominence of several rap artists.\r\nCountry music, on the other hand, has been kept resilient by several younger artists although the likes of Johnny Cash and his generation of country musicians have kept a steady support from the public listeners through the years. If there is one similarity between the two distinct musical genres, it has to be the fact that both country and rap have become cultures on their own. Rap music has become a culture cut rate has been embraced by individuals which, as a matter of fact, has even resulted to certain divisions among its musiciansâ€the so-called East and West sides.\r\nLikewise, country music has created its own sense of culture manifested in the rural areas. Works Cited Lewis, George H. â€Å"The Creation of Popular harmony: A Comparison of the ‘Art Worlds’ Of American Country Music and British Punk. ” International Review of the esthetics and Sociology of Music 19. 1 (1988): 35-51. Sullivan, Rachel E. â€Å"Rap and Race: It’s Got a Nice Beat, but What about the centre? ” Journal of Black Studies 33. 5 (2003): 605-22.\r\n'